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Aug 1 2010, 10:13 AM EDT
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Change: dj Toke, a radio producersproducer from Angola), Negrophonic (by dj Rupture), Afroasiasound (dj Zhao), Mad Decent (Diplo and Paul Devro) and Ghetto Bassquake (Vamanos and Chief Boima). These blogs are being maintained by dj's keeping up with global
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Aug 1 2010, 6:11 AM EDT
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Change: Ghana), Angola), Negrophonic (by dj Rupture), Afroasiasound (dj Zhao), Mad Decent (Diplo and Paul Devro) and Ghetto Bassquake (Vamanos and Chief Boima). These blogs are being maintained by dj's keeping up with global developments and sharing
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Jun 29 2010, 6:33 AM EDT
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Change: studiesstudied at the Gerrit Rietveld Academie from 1977 to 1982. After that, he took part in (amongst others) the W139 collective, where he debuted, together with Sandra Derks,
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Jun 29 2010, 6:22 AM EDT
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Change: HoeHow can they gain profit from the strategies, tactics and interventions that surround piracy? After his keynote, a panel consisting of artists, Creative Commons and Pictoright will respond to this speech. Matt Mason will also take his seat in the panel.2) Rob Scholte Lecture Rob Scholte
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Jun 22 2010, 7:45 AM EDT
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Change: DJdj Umb (Generation Bass), DJdj /rupture (Negrophonic), Daniel Haaksman (Man Recordings) and dj-team Globalibre. The panel will be moderated by Tony Herrington of Wire, one of the most important magazines on contemporary music. 5) The Bomb Squad deconstructsThe Bomb Squad is an
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Jun 22 2010, 7:45 AM EDT
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Change: DJ /rupture (Negrophonic), djDaniel RuptureHaaksman (Man Recordings) and dj-team Globalibre. The panel will be moderated by Tony Herrington of Wire, one of the most important magazines on contemporary music. 5) The Bomb Squad deconstructsThe Bomb Squad is an American hip
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Jun 9 2010, 7:44 AM EDT
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Change: Unfinished (1998) and Product of Circumstances (1999), he has opened new perspectives for dance and his individual approach has radicalized academic discourse about the body and
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Jun 9 2010, 7:26 AM EDT
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Change: printemps"Printemps" (2007).Xavier Le Roy was given carte blanche to invite somebody to discuss copyright from the perspective of performance arts, and invited Mårten Spångberg as discussion partner. How to deal with re-usage, re-interpretation and re-enactment? Is it an infraction of
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Jun 9 2010, 7:21 AM EDT
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Change: Le Roy" (2000) from Jérome Bel, "Giszelle" (2001), "Untitled" (2005) and "Le Sacre du printemps" (2007).Xavier Le Roy was given carte blanche to invite somebody to discuss copyright from the perspective of performance arts, and invited Mårten Spångberg as discussion partner. How to deal with re-usage, re-interpretation and
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Jun 8 2010, 11:02 AM EDT
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Change: In the same year, he realized "le sacre du printemps" which is a choreography that uses gestures and movements of conductors in order to makecreate thea new choreography. In collaboration with Eszter Salamon he choreographed "Giszelle" (2001) that masters the movements that mark the Western body .Xavier
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Jun 8 2010, 10:59 AM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
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Jun 8 2010, 10:09 AM EDT
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Change: question that rises is if the work is his intellectual property, or if it has become public property after it was performed publicly. The question is what is more important: Cunningham’s wish topics orin the public importanceworld of the arts. Shouldn’t Cunningham’s works be preserved for ourdance.
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Jun 4 2010, 10:30 AM EDT
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Change: RogerStewart ClarkeBrandLast year, we attracted Andrew Keen as central speaker of the Incubate Innovation Lecture because he could also offer a perspective from outside the field of Arts. This year, we chose Matt Mason as keynote speaker. Like in his book, The Pirate's Dilemma, Mason
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Jun 4 2010, 3:47 AM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
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Jun 4 2010, 3:28 AM EDT
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Change: overinvited Piraterijare: alsCreative centraleCommons, themaBits vanof hetFreedom Incubate(a Festival iscivil rights hierparty tefor vinden:privacy http://www.socialfestivalmodel.org/page/Thema+%26+Artistieke+Visie+2010on the internet), Pictoright (the Dutch collecting society for visual artists), Buma/Stemra (the Dutch collecting society for musicians) and the Dutch Pirate Party.
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Jun 3 2010, 11:05 AM EDT
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Change: gaat het om de voor- en tegenstanders van het huidige systeem van auteursrecht. Studenten van Fontys IEMES en de Academie voor Popcultuur Leeuwarden worden vooris de Debateall contestabout gecoachtthe doorpros professionalsand uitcons hetof veld.the Decurrent studenten krijgensystem collegeof
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Jun 3 2010, 10:44 AM EDT
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Change: die muzikale ontwikkelingen online zetten terwijl ze de wereld over reizen. Zij gebruiken deze invloeden in hun dj-sets en fungerenkeeping zoup als doorgeefluik.with Datglobal ditdevelopments ookand tweeledigsharing werktand bewijzenreflecting dj’s uiton landenthem. als Argentinië,They Mexicoalso enuse
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Jun 3 2010, 9:50 AM EDT
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Change: zicht steeds meer bezig met Piraterij en de verwante onderwerpen bezig. In hetzelfde jaar werkt hijworked samenwith metthe het "Quatuor Albrecht Knust" (Parijs)(Paris) vooron hetthe re-creërenrecreation vanof a piece tweeby Yvonne werken:Rainer "Continuous Project-Altered Daily" van Yvonne Rainer(1970) en
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Jun 3 2010, 9:24 AM EDT
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Change: visual arts in general. 3) Xavier Le Roy InvitesWie maakt het stuk en wat is de rol van de toeschouwer is het stuk? Piracy en de auteursrechten problematiek zijn ook binnen de danswereld prominente thema's. Merce
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Jun 3 2010, 9:22 AM EDT
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Change: kende binnen de kortste keren alle ins en outs van het kunstbedrijf en zette galeriehouders, kunsthandelaren, museummensen, critici en niet te vergeten de media naar zijn hand. Al spoedig wist hij een stevige marktpositie te bereiken en deze feillooswill tefocus handhaven.on Scholtethe zalissues het begrip
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